Lead Antimoniate, in genuine versions, appears to have been used as a pigment since the 5th century B.C. and has been manufactured since the 1400s, becoming one of the most relied-upon colours and in constant demand. I’m one of just a few colourmen who continue to make the genuine article. I do so because its vivid, dense, almost ochre yellow cannot be mimicked, as portraitists and figure painters will attest. It’s more powerful and yet more muted than its equivalents among the Cadmium range, and its handling characteristics are incomparable. Because it tends to react when parsed with steel rollers, to this day I still grind it with stone.
| Drying | Very Fast |
| Transparency | Opaque |
| Lightfastness | Excellent |
| Oil Content | Very Low |
| Tint Power | Average |
| Toxicity | Toxi |

Michael Harding Oil Titanium White No. 2 - 40ml
Michael Harding Oil Yellow Lake - 40ml
Michael Harding Oil Bright Yellow Lake - 40ml
Michael Harding Oil Raw Sienna - 40ml
Michael Harding Oil Burnt Umber - 40ml
Michael Harding Oil Prussian Blue - 40ml
Michael Harding Oil Unbleached Titanium Dioxide - 40ml
Michael Harding Oil Lemon Yellow - 40ml
Michael Harding Oil Bright Green Lake - 40ml
Michael Harding Oil Titanium White No. 2 - 60ml
Michael Harding Oil Terre Verte - 40ml
Michael Harding Oil Venetian Red - 40ml
Michael Harding Miracle Medium Beeswax Paste 100ml
Michael Harding Oil Titanium White No. 2 - 225 ml
Michael Harding Oil Burnt Sienna - 40ml 


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