Inorganic:
Prussian Blue was created in Berlin in 1704, and its popularity spread through the early 18th century. Prussian Blue is one of the first synthetic inorganic pigments and one of the most controversial as well. The earlier and less purified versions had mixed reputations; they were said to fade in hues and migrate or leech through succeeding paint layers. But modern standards of washing have corrected the tendency to fade, and migratory problems are no longer reported. I suspect that this was the result of poor stabilizing. At any rate, Prussian Blue, like Alizarin, is one of those colours some painters find essential. It has a deep, inky beauty. On its own and in more concentrated mixes, it exhibits a slight bronzy sheen that can be used as a complementary glaze.
| Drying | Very Fast |
| Transparency | Transparent |
| Lightfastness | Very Good |
| Oil Content | High |
| Tint Power | Very High |
| Toxicity | Non-Toxic |

Michael Harding Oil Titanium White No. 1 - 40ml
Michael Harding Miracle Medium Resin Oil Wax 100ml
Michael Harding Oil Bright Yellow Lake - 40ml
Michael Harding Miracle Medium Beeswax Paste 100ml
Michael Harding Oil Lemon Yellow - 40ml
Michael Harding Oil Prussian Blue - 40ml
Michael Harding Oil Unbleached Titanium Dioxide - 40ml
Michael Harding Oil Raw Umber - 40ml
Michael Harding Oil Ultramarine Blue - 40ml
Michael Harding Oil Titanium White No. 1 - 60ml
Michael Harding Oil Titanium White No. 2 - 40ml
Michael Harding Miracle Medium Oil Paint Medium 100ml
Michael Harding Oil Yellow Lake - 40ml
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Michael Harding Oil Yellow Ochre - 40ml
Michael Harding Oil Titanium White No. 2 - 225 ml
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