Inorganic:
This name was given by English manufacturers to smalt, a cobalt-based pigment that was used in the sixteenth and seventeenth centuries as a less expensive alternative to Lapis Lazuli. Unfortunately, smalt tends to fade into a light grey, as some Veronese skies demonstrate. But the introduction of Ultramarine Blue made the original smalt formula obsolete, and so I offer a completely reliable substitute blend that evokes the aerial effects of the great Venetian decorators.
| Drying | Average |
| Transparency | Opaque |
| Lightfastness | Excellent |
| Oil Content | Low |
| Tint Power | Average |
| Toxicity | Non-Toxic |

Michael Harding Oil Titanium White No. 2 - 40ml
Michael Harding Oil Yellow Lake - 40ml
Michael Harding Oil Bright Yellow Lake - 40ml
Michael Harding Oil Raw Sienna - 40ml
Michael Harding Oil Burnt Umber - 40ml
Michael Harding Oil Prussian Blue - 40ml
Michael Harding Oil Unbleached Titanium Dioxide - 40ml
Michael Harding Oil Lemon Yellow - 40ml
Michael Harding Oil Bright Green Lake - 40ml
Michael Harding Oil Titanium White No. 2 - 60ml
Michael Harding Oil Terre Verte - 40ml
Michael Harding Oil Venetian Red - 40ml
Michael Harding Miracle Medium Beeswax Paste 100ml
Michael Harding Oil Titanium White No. 2 - 225 ml
Michael Harding Oil Burnt Sienna - 40ml
Michael Harding Oil Yellow Ochre Deep - 40ml
Michael Harding Oil Titanium White No. 1 - 40ml
Michael Harding Oil Ultramarine Blue - 40ml
Michael Harding Oil Indian Red - 40ml 


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